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One of the Nine Immortals
Sasha Blaze
sedens
Once again, lovely Chinese clothing by Devon/aznbutterfly. The black wig is Lyon's default, and suits Sejong much better (yay! I don't have to buy another wig right now!). Lots more behind the cut.

Just so you know: he takes my breath away.

















Lapis Lazuli
(For Harry Clifton)

I have heard that hysterical women say
They are sick of the palette and fiddle-bow,
Of poets that are always gay,
For everybody knows or else should know
That if nothing drastic is done
Aeroplane and Zeppelin will come out,
Pitch like King Billy bomb-balls in
Until the town lie beaten flat.

All perform their tragic play;
There struts Hamlet, there is Lear,
That's Ophelia, that Cordelia;
Yet they, should the last scene be there,
The great stage curtain about to drop,
If worthy their prominent part in the play,
Do not break up their lines to weep.
They know that Hamlet and Lear are gay,
Gaiety transfiguring all that dread.
All men have aimed at, found and lost;
Black out; Heaven blazing into the head:
Tragedy wrought to its uttermost.
Though Hamlet rambles and Lear rages,
And all the drop-scenes drop at once
Upon a hundred thousand stages,
It cannot grow by an inch or an ounce.

On their own feet they came, or on shipboard,
Camel-back, horse-back, ass-back, mule-back,
Old civilisations put to the sword.
Then they and their wisdom went to rack:
No handiwork of Callimachus,
Who handled marble as if it were bronze,
Made draperies that seemed to rise
When sea-wind swept the corner, stands;
His long lamp-chimney, shaped like the stem
Of a slender palm, stood but a day.
All things fall and are built again,
And those that build them again are gay.

Two Chinamen, behind them a third,
Are carved in lapis lazuli.
Over them flies a long-legged bird,
A symbol of longevity;
The third, doubtless a serving-man,
Carries a musical instrument.

Every discoloration of the stone,
Every accidental crack or dent,
Seems a water-course or an avalanche,
Or lofty slope where it still snows,
Though doubtless plum or cherry-branch
Sweetens the little half-way house
Those Chinamen climb towards, and I
Delight to imagine them seated there;
There, on the mountain and the sky,
On all the tragic scene they stare.
One asks for mournful melodies;
Accomplished fingers begin to play.
Their eyes, 'mid many wrinkles, their eyes,
Their ancient, glittering eyes, are gay.

William Butler Yeats (from New Poems, 1938)





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It is very nice! I didn't know Devon did costumes. Hmmm.

The two I have, the gray suit and this cheongsam suit, are my treasures--the sewing is perfect. Perfectperfectperfect.

He was putting a few on eBay now and then, but that was last year. I need to e-mail him and see whether he'll be sewing again anytime soon.

Gorgeous and very evocative! He is so beautiful - and I really like him in the black wig!

Yes~! to the Yeats!

The black wig now belongs to him. Which means I will wind up buying more black wigs for the others, not that that's a great hardship . . .

I'm going to drive people crazy with the poetry and the quoting, most likely. I'll try to restrain myself. ;-)

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