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Still here. Still dolling.
knitting
sedens
John Henry Newman, long before he was Cardinal Newman, wrote a novel called Loss and Gain. That's a fair enough title for 2011-so-far, isn't it? There's plenty to put in the "loss" column, anyway--for all of us.

But here's some pleasant stuff to share . . .

An Etsy seller I got acquainted with when buying buttons for my sweaters put up a lovely, kind blog post about me yesterday. Many thanks to SagePatch, and a warm welcome to anyone who drops by my LJ because of L's post! http://www.sagepatch.com/2011/03/cynthia-of-squirrel-moon-hand-knits.html

Doll news will be

I lucked into one of my dream Volks heads a few months ago, and Mingyi made her absolutely gorgeous for me. This is Arisu, one of the original LE Ayas (with an oldskin SD10 body, Gumdrops Totally Taupe eyes, a discontinued Volks wig, and a dress from Milky Ange):



My love for earlier Custom House doesn't abate, and the first two recent arrivals to make their bows here are Kidon, a Jun with faceup and some body mods by Hakkun, and Tamas, the Costume Play Ai Knight Leo Han, still in glorious orangey possession of his default HeavyBomb faceup. His eyes are custom ED jobbies I picked up on the Marketplace, and if they were just a teensy bit bigger, they would be perfect for him. Even so, I can live with the gappiness for the sake of that piercing, unsettling gaze. Oh, CH, heigh-ho, how I do love thee.





There will be other resin introductions soon, as more heads come back with new faceups, and as preorders grind their slow way toward completion. I'm also enjoying my fashion dolls more than I have in a few years--in fact, I'm pretty excited about Tonner's upcoming Freedom for Fashion line (imagine Yohji Yamamoto and Rei Kawakubo in 16" vinyl form).

Must try to persuade Toshi not to bark quite so ferociously at the neighbors' arriving guests, then finish reading the book I'm reviewing for a journal (deadline April 15, want this out of the way much sooner than that). Over & out--

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Aya is just such a soft, round, sweet face--everything that appeals to me in early Volks. I like the angularity of early Custom House and the roundness of early Volks . . . good dollmaking on both sides.

Aren't the Tonner Freedom for Fashion outfits great? But nope, I haven't seen the Yohji video--will I find it with a Google search, or do you have a link to share??

Hey, what do I owe you for the Poko bags, and what's your PP addy? I know I have it somewhere, but I always worry that something might have changed in the meantime. Email me, if you don't want to post publicly--sedens81 AT hotmail will get me for sure.

I have a green and a black bag for you. It would be $16.00 for the two if doing a regular Paypal payment. My paypal addy is blukat99 at gmail dot com.

Thanks for helping out!

Just sent the Paypal--yay, thank you!! And thanks for the Yohji video link, too; I'm saving that for an evening treat. :-)

That's a good question about the, hmmmm, generational change in Volks. For me, it's a matter of when I stopped falling in love with new Volks sculpts, and realized that something had started to look different to me in the new heads' facial proportions and features. The last new headmolds that really spoke to me in a lasting way--i.e., didn't leave me cold after the initial thrill wore off--were Emma and Yukinojo, so that was what? DP 14, Christmas 2005.

That is interesting. I seem to be stuck in a certain time frame myself, 2004 to 2005 with only a couple since then. I think 2004 because that was when I started looking at bjds plus it was not easy to get older dolls then.

Not that the newer dolls aren't lovely but yeah, the style did change. Even with some of the re-releases. I wonder if the sculpting techniques changed at Volks then? I also feel like the painting has become rather similar for many dolls. Plus that was when more companies started making dolls at that time. That and the buying market grew and changed too.

Kind of fun to sit back and look at this now. Since it's not to hard to remember when dolls came out and how the industry and owners were then compared to now. I guess I relate to your approach to enjoying the dolls. Also since I'm waiting for an older Volks doll to arrive myself it's given me something to think about.

Thanks for sharing your view point =)

Oh yeah, Yohji's video, I posted it on the fashion and art blog I sometimes do. http://etherealspirits.blogspot.com/2011/03/yohji-yamamotos-dream.html

I like when he says he is into how to cut clothing. I find my favorite designers are the ones that do that. I'm so glad he seems to be coming back. And I was able to see the Commes des Garcons flagship store this last time in Tokyo. That was interesting.

The article was really good btw! You know the buttons I sent you came from Kansas, so I felt like they were returning home.

I'm curious, what years would you say are early Volks? I know when they started but what would be the cut-off roughly?

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